Not a particuarly inspiring set of nominations for the Oscars this year but went to see "A Complete Unknown", the story of Boby Dylan yesterday.
Covers the period from from his arrival in New York to the infamous Perfomance at the Newport Folk Festival at which he played an electric guitar to the dismay of the traditionalists.
Absolutely great perfomance from Timothee Chalomet. Well worth the admission price. Recommended.
>> I think you would enjoy the film even if you don't like Dylan. Well told,
>> brilliant acting and great locations.
I thought that about 'Elvis'. Never been a fan. Although Burning Love with the Royal Philharmonic behind it, played through something with a bit of oomph, gets my toes tappin'
Bob Dylan was the first concert at Desert Trip (week 2) at Coachella a few years back, which I was lucky enough to attend. It was in the same week he'd been awarded his Nobel prize.
It was the worst concert out of the 6 we saw that weekend (Stones, Neil Young, McCartney, The Who & Roger Waters). All were 2+ hours over three days. Wonderful weekend camping with old school mates... en.wikipedia.org/wiki/Desert_Trip
I also don't like Elvis much as a bloke, some of his music was OK to good though. I remember driving up to the entrance of Graceland with the same buddies and turning around when we realised none of us were that interested!
>>
>> I also don't like Elvis much as a bloke, some of his music was OK
>> to good though. I remember driving up to the entrance of Graceland with the same
>> buddies and turning around when we realised none of us were that interested!
>>
It's odd that; he often used to sing about enjoying your company......
The problem with Dylan is that, with his voice gone, great though his sets are they just aren't how you remember him as you grew up listening.
I saw him some years ago touring with Mark Knopfler, and enjoyed the "experience" (Knopfler was excellent, and Dylan's backing band didn't put a foot wrong) but a short time before that I saw Neil Young (who was old then and is ancient now) with his classic fellow accompanists (most of whom have shuffled off this mortal since). He was an absolute tour de force, and I gather he went down well at Glasto immediately afterwards. He certainly eclipsed Dylan for me.
Given the correct setting and context, however, I can still take Dylan. I enjoyed this recent offering, as much for the setting/video as for the music.
>The problem with Dylan is that, with his voice gone, great though his sets are they
>just aren't how you remember him as you grew up listening.
My feelings too.
I prefer the earlier Dylan stuff. In my early teens I had a girlfriend whose father was a big fan and had some Dylan albums. He was also a dope-smoking alcoholic and we'd play the albums when he was sleeping off his afternoon tea. I never realised that you could buy gallon bottles of Vodka until I saw one in their kitchen.
Still not managed to see The Brutalist, no longer showing locally, so might have to watch it on TV.
Saw Conclave yesterday at the Abbeygate, a very nice little independent cinema in Bury St Edmunds Thoroughly enjoyed the film. Very much much reflects the age in which we live. Full of twists and turns and an unexpected twist at the end. Ralph Fiennes excellent. Could be the real thing of course very soon.
I'm afraid I don't agree with either of those statements, but I think the opposite can be true. For example, when I first heard Dylan’s version of Gordon Lightfoot’s “Early Morning Rain” I thought it was a really amazing song. Long afterwards, I discovered that I already had Judy Collins’ version in my collection, yet I’d not even noticed it. I think it’s because Dylan gives the song a feeling of emptiness and yearning, which is lacking even in Lightfoot’s version.